«He never denies his culture or roots, or the fact that he is a accomplished artist, a tragic and a Greek in his heart.» (Il Sole 24 ORE) Dimitris Papaioannou is internationally known for his distinctive style of body-toned picture theater.
«He never denies his culture or roots, or the fact that he is a accomplished artist, a tragic and a Greek in his heart.» (Il Sole 24 ORE) Dimitris Papaioannou is internationally known for his distinctive style of body-toned picture theater.
Inside is an art film, a six-hour take without a beginning, middle or end: Dimitris Papaioannou has 30 performers repeat the same simple movements, rituals and everyday routines in numerous combinations and overlaps.
«He never denies his culture or roots, or the fact that he is a accomplished artist, a tragic and a Greek in his heart.» (Il Sole 24 ORE) Dimitris Papaioannou is internationally known for his distinctive style of body-toned picture theater.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
Lecture by Thomas A. Szlezák, University of Tübingen It has been clear for a long time that the in-depth study of the Greek-Roman antiquity is threatened, for scholarly (and practical) reasons.
The unique band Imam Baildi from Athens mixes wild house, hiphop, and latin rhythms with melodies from the 30s and balkan brass: an urban mix of traditional, Greek music with new instrumentation, production and remix techniques.
For Evros Walk Water Daniel Wetzel 2015 created a multi-voice protocol with underage refugees in Athens, documenting stories of their escape and survival, in the form of a walkable installation with various audio stations for 24 spectators.
The Greek organist Ourania Gassiou is a graduate of the Royal Academy of Music in London, where she studied with Nicolas Kynaston, receiving scholarship of the Onassis Foundation.
In our Workshop with festival chef Stavros Chrysafidis you will collectively cook Spätzli-like traditional pasta from Crete, known as skioufichta, makarounes or zymenia.
The main focus of the CULTURESCAPES classical music program is the work of the Greek com-poser Nikos Skalkottas; alongside Dimitri Mitropoulos the most important representative of New Music in Greece. He studied violin at the Athens Conservatory, and from 1927 to 1932 he studied under Arnold Schönberg at the Prussian Academy of Arts.